“The Dancer, the Drummer, and the Divine”

Psalm 100

First Presbyterian Church of Jamestown , New York

The Reverend Thomas A. Sweet

September 23, 2007

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(I am well aware that what follows does not constitute a sermon.  It was offered at worship on this day more as a reflection piece before one of our members, Libby Nord, danced the crucifixion and then also the resurrection, two interpretive pieces of liturgical dance.  It was part three of our series of September Sunday Celebrations in which we have been lifting up the arts.  Today’s “celebration” was rhythm and dance…including a drummer who led us in prayer by drumming, percussive xylophone, shakers, and dancing in the aisles to African Psalms and other musical adventures!  Truly, this day was one of those “you had to be here” days, but, for consistency, we are posting these reflections for our web members and visitors. This, too, was true: “Surely the Lord was in this place.”)

   

It is no secret, of course, that Cindy and I and the rest of the staff work closely in preparing and shaping our worship, though it is just as true that none of us knows exactly what will happen until it happens on Sunday morning.  We trust that God’s Spirit is in our midst as we craft and arrange and that the same Spirit will be present at the time of our worship to confirm or confound our plans, making of worship what it needs to be in the moment.  

Having been away this past week, hard at work and study on your behalf on the beach at the Jersey Shore (smile), I asked Cindy to provide the title for my reflection before Libby dances today with the plan that I would try to frame my brief remarks when I got back according to what she had decided.  But, I’ve got to tell you…when I saw the title that Cindy left for me  The Drummer, The Dancer, and The Divine – though I greatly admire the alliteration, Cindy…my immediate reaction was that she really had done it this time…that in “the drummer, the dancer, and the divine”…she had found three things about which I know almost nothing.  

So let me say just these few things:  what we have been trying to do this month in our worship is to own up to the reality that, as much as Presbyterians care about the life of the mind, as much as we savor thinking and discussing, as much as we cherish rational discourse, as much as we like to be in our heads, as much as we value “the Word” and thus also “words,” if we are going to experience in our lives the beauty and pathos and terror and joy of God and life, if we are going to experience the divinization of our own lives…that is, to experience our own lives as sacred and precious and as an integral part of the luminous web of creation that accounts all life that way because God is all through it, all through us, even as we ourselves are alive in God…then we need to employ all of our senses…we need to use not only our minds but also our souls and our bodies.  

So, a few weeks ago, we were moved deeply by our celebration of music and song for, sometimes, it is only music that can reach us.  Sometimes, the pain is so raw in us, the confusion so perplexing, the joy so profound, that there are no words that can express or describe or help, but only music.  I cannot count the times over the years that, having preached my heart out, people in the greeting line after worship will say to me, “Wasn’t the music wonderful today?”  We understand in this congregation that music is not an accoutrement to our worship, not an add-on or an adornment to the main event that in Protestant worship often is considered to be the sermon, but that music is in its own right a chalice containing the wine of the divine of which we are to drink.  

Last week, with our celebration of the creative arts, we acknowledged that God is in our right brain as much, and maybe more, if truth be told, as in our left brain.  The point of our worship is never simply to find out more about God.  The sanctuary is not a lecture hall.  The point of our worship is to discover more about ourselves, more within ourselves, so that we may become more fully and truly human, which is God’s great hope for our lives, and in that way, to experience God and divinity in our own lives.  The point of our worship is not for us to become repositories of information about God, but to join with God’s creative Spirit in the ongoing dance and danger and drama and delight of creation that is still unfolding.  The creative arts help us to do that.  The future is not something “out there” toward which we are moving.  It is something we are creating a day at a time.  The creative arts, infused as they are with God’s creative Spirit, become our collective conscience and consciousness along the way.  

Today, we are celebrating rhythm and dance.  To be honest, I long have considered the word “dance” to be one of the scariest words in the English language.   Ask me to speak before thousands, and I will do my best.  Tell me to walk on hot coals, and I shall give it a try.  But do not ask me to dance.  Please.  On those few occasions I have dared to do so, I have seen people pointing at me and laughing.  

But I am beginning not to care.  I have been reading a book recently by a woman named Gabrielle Roth entitled Maps to Ecstasy in which she makes the convincing case that freeing the body leads inevitably to freeing the heart.  So many of us only tolerate our bodies…that is, if we do not have an outright disgust for them.  Often we see them as our adversaries.  I want to read a little section of Roth’s book to you, where she says,  

“The first creative task is to free the body to experience the power of being…It is first in that it is both where we must begin and what is most fundamental.  Your body is the ground metaphor of your life, the expression of your existence.  It is your Bible, your encyclopedia, your life story.  Everything that happens to you is stored and reflected in your body.  Your body knows; your body tells.  The relationship of your self to your body is indivisible, inescapable, unavoidable.  In the marriage of flesh and spirit, divorce is impossible, but that doesn’t mean that the marriage is necessarily happy or successful.”  

“So the body is where the dancing path to wholeness must begin.  Only when you truly inhabit your body can you begin the healing journey.  So many of us are not in our bodies, really at home and vibrantly present there.  Nor are we in touch with the basic rhythms that constitute our bodily life.  We live outside ourselves – in our heads, our memories, our longings – absentee landlords of our own estate…”  

“One incident in my search always sticks out for me.  I ran into a rabbi in a shopping mall.  We got to talking and I asked, ‘Do Jews hate their bodies as much as Catholics do?”  He started to laugh in mock shock, but then gave me a more quizzical look.  It seemed I’d hit on something close to him.  He told me that he just had buried his father, who also had been a rabbi.  He’d asked his father on his deathbed, ‘What was the most important thing in your life, father?  The Torah?’  And the old man had answered, ‘My body.’  ‘I was stunned,’ his son now told me.  He stared past me in awkward silence and finally said, ‘I always thought my body was just a vehicle for my mind: feed it, clothe it, and send it to Harvard.”  

Roth is helping me to see that dancing is something everyone can do…she even describes how very old people confined to wheelchairs can dance.  Roth was once a classical dancer until an injury ended that.  And that is when her life’s work began…helping people to see that there is no right and wrong way to dance, that everyone can do it, that it can be a form of meditation, a window to the soul, a doorway to divinity, an entry into ecstasy.  She has identified the five basic rhythms of life – flowing, staccato, chaos, lyrical, stillness – and we do not have time really for me to say anything about them…but, just this week, I ordered and received a couple of CDs of music she has put together betokening the five rhythms and I am going to start dancing in the morning before I come to work…first in the privacy of my home but sometime…well, you know of our “aging and saging” group that we have here that has become very popular?  I think I am going to start another one and call it “dancing and prancing”…because I really am coming to believe that until we are at home in our bodies, we are not at home…anywhere…not with ourselves, not with others, not with God.  

I love to be in the presence of someone, like Libby, who is so at home in her body…because people like Libby are so free, so expressive…in all of my years of preaching, all of my hundreds of words about the crucifixion never have come as close to the truth and power of it as Libby’s dancing of it…none of my words about resurrection have conveyed the joy as does Libby’s dancing of it…  

“Dance, then, wherever you may be; I am the Lord of the Dance, said He, And I’ll lead you all, wherever you may be, And I’ll lead you all in the Dance, said he.”  

And then – drumming.  There is a drumming workshop we are offering after worship today to which I hope many of you will go.  Through the centuries, drumming has been a way to gather us into mystery and into the mystical nature of life and God, a means of celebrating the essential, primal beat of life that courses through all of God’s creation, the whole universe, and that is reflected in the beat of our own heart…that is reflected in every wave crashing onto the shore…God in every beat, in every wave…each one a paean to life that was before us and will be after us and in which we now get to contribute our part.  We are going to allow the drumbeat to lead us into prayer today…prayer without spoken words…just being aware of the beat and all that it calls forth in us…and we shall simply offer that to God and to the world for its healing, for our healing.  

I love our worship and its traditions…I love our Presbyterian tradition…and I do, as do many of us do, live by and are thrilled by words…and rightfully so…and we try to say by our words what we mean about God and our lives…but there is more…I know there is more and you know there is more…that transcends words…that yearns for experience and participation…that invites us to give our whole selves…soul and body as well as mind…toward loving God, toward loving ourselves, toward loving the world.  

I used to think that the dancer, the drummer, and the divine always lived outside of me, that they were inaccessible to me.  But, you know what?  They all live in each of us…and so I invite you this morning and for the rest of your lives more deeply into the adventure of letting them – the dancer, the drummer, the divine - to shine in us, through us…for the sake of this world we love.  

Amen.

 

This morning, Libby will proclaim through the artistic medium of dance, the central claim of the story of our faith…that death is never God’s final word…life is…and that love is stronger than death…and that to live in love is to live in freedom and joy…and that love never ends.  

DANCING THE CRUCIFIXION

              Go to Dark Gethsemane                  arr. Lee Dengler  

DANCING THE RESURRECTION

              Deck Thyself, My Soul, with Gladness   arr. Mark Limburg

© Copyright 2007 First Presbyterian Church

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